The real scale is a scale that goes up like the melodic minor scale and goes down like the natural minor scale. Many prefer to call the classical scale the “Bachian Scale”. The name “classical” comes from the origin of its founder (Sebastian Bach), a great Baroque composer. The classical melody is the one we have already shown. The flavor of the melodic minor scale differs somewhat from the flavor of the harmonic minor scale and is a little more difficult to analyze, after all it presents two alterations in relation to natural minor scale (6th and 7th degrees), while the harmonic minor scale shows only one alteration (7th degree).īefore we continue, it is worth mentioning that there are two melodic scales: the real melodic and the classical melodic. Try playing this scale repeatedly to feel the melody. Notice how the only difference is in the sixth degree (in this case, the F note).Ĭheck below the shape of the A minor melodic scale (degree 6 and 7 are highlighted): A Minor Melodic Scale Notes of the Melodic Am scale: A, B, C, D, E, F#, G#.Notes of the Harmonic Am scale: A, B, C, D, E, F, G#.Therefore, the sixth degree that was previously minor on the harmonic scale became major on the melodic scale.įor you to see this difference, we will show you the scales of A minor harmonic and A minor melodic, one below the other. This would make the sound of the harmonic scale more melodic, giving rise to the so-called melodic minor scale. In order to reduce this distance, an intermediate note was added to bring the sixth degree closer to the seventh. We have already studied the harmonic minor scale and we saw that it has a “long” distance between degrees 6 and 7 (3 semitones).
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